Shortstacks – 3/3/2016

Only got two for you guys today, I’ll see if I can do more tomorrow. One of them was almost a full review, but I figured it was just a bit too short to warrant a spot. The batch today doesn’t really have any stinkers, just complete mediocrity, and one band that has potential, but hasn’t quite realized it yet. So without further adieu, here’s today’s Shortstacks.


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Mouth – Mouth

I feel like there’s a lot of potential for greatness here, but some things just hold them back. Mouth shows they have a fantastic knowledge of riffing in the first two tracks, but that doesn’t show up anywhere else on the album, offering instead of put out very droney, sludgy tracks. During those tracks they also demonstrate they can build an atmosphere, but especially on From Room / Communion of Her it just goes on way too long.

The shorter tracks are definitely the strengths here. They mostly consist of forward moving, muddying tracks that you can bob your head to, coupled with absolutely fantastic drum work. The drums really are the best aspect of this album. When used right, beyond having finesse, they move the pieces forward, to the point where every beat feels like one giant step, creating a driving force. However the guitars are more inconsistent. While yes, there are some pretty good riffs to behold here, the guitars mostly drone on one chord / “riff” (if you can really call it that). That can work in many circumstances, but in an album where half of its length is basically dedicated to those drones (over half actually), and the fact that in many cases they’re coupled with these softer vocals make the whole thing sound more lazy than atmospheric.

I enjoyed this, however I think the band has some growing up to do. This is only their debut, so I’m sure if they continue they’re grow into a fantastic sound. For now Mouth has potential, but is still largely an obviously amateur production.

6.25/10


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Typhus – Typhus

You know an album is gonna be good when one of their track titles spells fixation with two Xs. Basically just generic deathcore with djent shit thrown in so that the band can call it “progressive”. It’s got this pseudo Egyptian thing going on that I don’t really get, but it doesn’t matter because it’s never visible on the album for more than a few seconds at at time. Inoffensive, but not worth anyone’s time.

4/10

 

 

Electric Lizard’s Shortstacks – 2/29/2016

Preface: So I’ve been thinking of ways to combat my eventually exhaustion from reviewing, and I’ve come to the conclusion that the biggest reason this happens is because I tend to feel like I have to write a master piece for every review. That includes when I simply don’t have much to say about an album. I’ll get “stuck” on an album that I feel like I should have a lot to say about, but I don’t. Simply put, I really don’t want to take an entire post for a review that’s not even 200 words long. So my solution is every day I’m going to take the albums that I don’t have much to say about, and put them in one post. That way I can get through a lot more albums much quicker, and without the pressure of having to write 700+ words. So without further adieu, here is the first ever edition of Electric Lizard’s Shortstacks.


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Eissturm – The Oak

Really solid work. I love the intermixing of the acoustic guitar sections with the straight atmo black parts. It gives it so much more of a melancholy feel. It doesn’t feel repetitive and monotonous, more just relaxing and reflective. It even has some really soothing flutes on the first track Falling Snow, which I felt was a really unique addition to the music that I don’t here in black metal much. You would think with the whole winter theme that flutes would run rampant (sounding just like a cold winter wind), but alas. The production is also in that sweet spot of clean enough to not sound like shit, and fuzzy enough to make you feel warm inside. Granted, it still ultimately sounds like an amateur work, but it’s a solid amateur work that’s worth listening to. I was expecting this to be total shit, so I’m pleasantly surprised. Good stuff.

7/10


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Agoraphobic Nosebleed – Arc

Really not a fan. The guitar work and riffs are just mediocre, if inoffensive. But the vocals are a squeaky, annoying piece of shit. It basically sounds exactly what a grindcore band transitioning to sludge metal for some reason would sound like: they don’t know what they’re doing, and traces of their previous genre are still laden throughout the work, to ill effect. It’s not awful, but I certainly won’t be playing this again anytime soon. A major disappointment.

5.25/10


 

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Bosque – Beyond

Wow what a disappointment. I was really hoping the second funeral doom album I’d listen to this year would be a real hit. Unfortunately, this isn’t so much funeral doom metal as much as it is regular doom metal extended over 13 minute tracks. The album is really monotonous and boring without any of the charm or atmosphere of traditional funeral doom. Bosque decided to ditch the synths, ditch the death growls, and everything that gives funeral doom it’s quirky charm, instead deciding to just play slower standard doom track 3 times in a row, for 40 minutes straight. Beyond is beyond boring, don’t bother with this snoozefest.

3.75/10