In a twist of irony, Dreamless goes about to create a dream-like state, with spacey riffs, and electronic tracks, and makes an album whose entire premise has been done before, and done better. Fallujah has gone much more into the djent category, to the point where I would almost say this is more djent than tech death. Rarely do the guitars have that monstrous growl you find in death metal, mostly residing on a clean, gutteral, mechanical burps you find in djent. While there is plenty of technicality, I feel like any melodic composition is thrown out the window in favor of atmosphere, and by atmosphere I mean ambient chugging. It doesn’t feel like a tech death album, or at the very least, feels like a tech death album that went through the entire Nuclear Blastify process, instead of showing any kind of resistance. Any time you have that many guest artists for the vocals on a death metal album, you know something is not right. Dreamless feels like manufactured product, made specifically to be sold to the masses.
And that wouldn’t be so bad if the ideas on the album were at least somewhat coherent. Tracks like Adrenaline sound like the band picked what fucking ideas they thought of in the shower, and threw any that sounded good in the track, without thinking on whether it made a coherent song. And to be fair, in the most superficial level possible, it definitely “sounds good”. This is one of those albums that doesn’t really have a defining lovable aspect to it, or any reason for me to heavily praise it, but I’m sure if I listened to this as just background music for uh, idunno, whatever the fuck people who listened to the Black Dahlia Murder one time and then posted on facebook about how they’re ordering the satanic bible from amazon prime do for fun, I would probably very much enjoy it.
Dreamless lacks any sort of depth or replay value that’s required for a great album, but for a commercial product I can’t really fault it for having it’s, well, faults. It’s a pretty nice album. It’s the epitome of a band selling the fuck out, and basically represents a lot of what is wrong with commercial technical death metal. But it’s nice enough.