Two first’s here; first psych rock album I’ve reviewed, and first non metal album I’ve reviewed this year. And as it turns out, both of those factors breed success. No Man’s Valley’s Time Travel is an exquisite, psychedelic rock record that doesn’t let on to the band’s current amateur and unknown status. The production is absolutely fantastic, sounding like a majorly influential psych rock album from the 80s-90s, rather than some random bumfuck’s record in 2016. Almost every track is a hit, but I especially have to point out Killer The Bees as my favorite. That sarod (?) line is going to be stuck in my head for a while now.
The trouble is for as much as I like this, it’s hard to come up with shit to say about it, for various reasons. For one, you do have complete stinkers like The Wovles are Coming, which is the only track on here that doesn’t tack advantage of the psychedelic atmosphere that tinges the record, giving it the sound of someone warping through the time continuum. It’s generic stoner rock and isn’t memorable in any way, which would’ve be too bad if the album gave us more chances to have memorable moments. Time Travel is just around as short as this review is going to be, not even clocking in at 35 minutes. It feels more like an extended EP than a proper album, and that doesn’t really fit what is apparently a concept album. It’s like giving us the abridged version of a much longer story. You know those classics abridged books that were popular back in the late 90s? They looked just as thick as the original books, but that’s because the font was huge and every other page had a picture? And I mean I loved them when I was like 11, and at that age I’m like “wow these are great, I’m so good at reading for getting through these hard books!”, even though they’re like 200 pages and have 40 pages worth of words. I sort of feel like that here. Obviously with tracks such as Love or Axe Murder, this album isn’t kids friendly, but it feels like a shortened version of a much greater story that we’re all missing out on. Perhaps this album is just a feeler album that the band is putting out before doing something greater. This is their debut album, so who knows what they will do in the future. However it would’ve been nice to get at least 10 more minutes of the time travel blues.
But who am I kidding, this is still great. I’d much rather albums be too short than too long, every single time, and even if there are two stinkers (the finale, Goon, is massively disappointing for it’s length and has awful piano sections), 6 out of 8 is good, especially when 5 of those are fantastic. I’m don’t have a massive amount of experience in this kind of music, so my perspective is quite limited, I’ll be the first to admit that. But for what it’s worth, I enjoyed the fuck out of this, and would recommend this to anyone who wants a trip from a relatively underground source.