However I did review this sober, so I’ll be writing on that front. This was one of my most anticipated albums of this year, as I was hoping they would fix their problems of their last album, namely length and creativity. I’ll give them a 1.5/2 for this album. Length they certainly fixed, being at a very reasonable 47 minutes, compared to the over 70 minute time of their last album. Creativity is a bit of an issue. Inversum is split into two tracks, ESO and EXO. ESO sounds like a stereotypical DBR track, with all the same buildups, riffs, and samples that have been repeated in their previous albums multiple times. It sounds decent, but after so many albums of a similar sound, it starts to lose it’s luster. EXO by comparison, is a infinitely more interesting track. And strangely enough, this is because it shows that this band has a soft side. The opening to EXO is actually quite calm and atmospheric, something you don’t normally hear in this bad at all. Of course in the latter bit it builds up to the strong, dark, crushing climactic riff, but the buildup feels so much sweater here as there was actually some contrast. Turning up the volume from 60-100 isn’t going to create nearly as much of an impact as going from 20-100 after all.
I really think the next step in DBR’s evolution is to fiddle around with different dynamics throughout the ENTIRE song, rather than just building up. Maybe having multiple climaxes throughout the track, variations, or heck at least something other than the 3-4 riffs they play. Basically just some variety would be all they needed to be one of the best doom metal bands out there.
In short, if you’ve heard their last few albums, you’ve heard this album. I’d really only recommend this to those who are unfamiliar with this band, or someone who has some high quality weed sitting around their house. Otherwise, DBR certainly doesn’t drop the ball in the slightest, but they don’t really do anything they haven’t done before.